The PhDnet programme feeds upon the research profiles of the participating institutions and consequently includes a wide range of topics.
However, all research projects supported by the PhDnet analyse literary texts with specific regard to their cultural contexts, particularly using approaches developed in the course of the “cultural turn”. This also includes newly configured literary studies approaches that have been influenced by cultural studies methodologies (such as narratology, genre theory, etc.)
The time focus of the selected research projects aims at the second half of the 20th and the beginning 21st century. Far from assuming homogeneity of this period’s literary production, the time frame facilitates a close collaboration and interaction of the network’s junior researchers.
PhD-Net Publications
Wåghäll Nivre, Elisabeth; Schirrmacher, Beate; Egerer, Claudia (eds.): (Re-) Contextualizing Literary and Cultural History: The Representation of the Past in Literary and Material Culture. Stockholm: Stockholm University, 2013.

This volume holds a number of contributions from a conference held at Stockholm University 2–4 September, 2010: (Re)Contextualizing Literary and Cultural History. The aim of the conference was to gather scholars from a variety of disciplines, not only to investigate material or literary history and culture but also to bring theoretical aspects from different elds of research into play. The conference thus brought together scholars to (re-)examine the importance of historical perspectives in literary studies, and to scrutinize the impact of cultural studies on early modern scholarship. A selection of revised papers was chosen for publication in this volume. It is divided into three parts: I Theorizing Literary and Cultural History II Ordering Thoughts—Making Sense of the World, and III Communicating Things and Thoughts.
Contents:
Preface and Acknowledgements
I. THEORIZING LITERARY AND CULTURAL HISTORY
Ansgar Nünning: No Contextualization without Literary Theory and Concepts: Problems, Kinds and Criteria of Contextualizing Literary History
Maik Bierwirth: Context—Intertext: A Prerequisite of Cultural Relevance and Value
II. ORDERING THOUGHTS – MAKING SENSE OF THE WORLD
Cora Dietl: Early Modern Dramaturgy of “Horror”
Angela Locatelli: Landscaping Literature in Early Modern England: Praxis, Gnosis and the Shifting Knowledge of Literature
Carin Franzén: The Legacy of Courtly Love and the Feminine Position
Mário Gomes: Framing the Fire: Poetological Notes on Robert Walser’s Early Short Prose
Maria Granic-White: A Prohibitive Presence by Language: Never the Father, Always the Son
Māra Grudule: The Dawn of Latvian Poetics (1697) and its Resonance in 19th-Century Literature
Cordelia Heß: Serving the Mighty: Schemes of Social Distinction in Catechetical and Penitential Literature for Lay People in the 15th century
Nina Karlström: Praising a Queen and a New Era? Gender and Rhetoric in One German-Language Panegyrical Text Written in Connection With the Coronation of Ulrika Eleonora the Younger of Sweden
Erland Sellberg: The Impact of Education on Early Modern Political Culture
III. COMMUNICATING THINGS AND THOUGHTS
Jill Bepler: Traditions of Reading, Writing and Collecting: Books in the Lives of Dynastic Women in Early Modern Germany
Peter Davidson: “The Great Minerva of the Goths” and Other Manifestations of Baroque Internationalism
Inga Elmqvist Söderlund: A Material Turn? The Contexts of Early Modern Material Scientific Heritage
Anna Maria Forssberg: The Information State: War and Communication in Sweden during the 17th Century
Sinikka Neuhaus: Piety and Propaganda: The Use of the Printing Press in Malmoe during the Early Reformation Process

At times of crisis and revolution such as ours, diagnoses of crucial junctures and ruptures – ‘turning points’ – in the continuous flow of history are more prevalent than ever. Analysing literary, cinematic and other narratives, the volume seeks to understand the meanings conveyed by different concepts of turning points, the alternative concepts to which they are opposed when used to explain historical change, and those contexts in which they are unmasked as false and over-simplifying constructions. Literature and film in particular stress the importance of turning points as a sensemaking device (as part of a character’s or a community’s cultural memory), while at the same time unfolding the constructive and hence relative character of turning points. Offering complex reflections on the notion of turning points, literary and filmic narratives are thus of particular interest to the present volume.
Contents:
Ansgar Nünning/Kai Marcel Sicks: Introduction. Conceptualizing Turning Points: Interdisciplinary Approaches, Metaphorical Implications and New Horizons
I. CONCEPTS OF CHANGE IN NARRATIVE THEORY
Ansgar Nünning: “With the Benefit of Hindsight”: Features and Functions of Turning Points as a Narratological Concept and as a Way of Self-Making
Annette Simonis: Turning Points in the 19th-Century Novella. Poetic Negotiations and the Representation of Social Rituals
Pirjo Lyytikäinen: Iterative Narration and Other Forms of Resistance to Peripeties in Modernist Writing
Vincenzo Martella: The Missing Turning Points in the Story: Musil’s Der Mann ohne Eigenschaften between Ethics and Epistemology
Robert Vogt: “If the Stranger hadn’t been there! … But he was!” The Causal, Virtual and Evaluative Dimensions of Turning Points in Alternate Histories, Science-Fiction Stories and Multiverse Narratives
II. NARRATIVES OF CULTURAL CHANGE IN LITERATURE AND VISUAL MEDIA
Peter Hanenberg: Long Waves or Vanishing Points? A Cognitive Approach to the Literary Construction of History
Lieven Ameel: On the Threshold. The Brothel and the Literary Salon as Heterotopias in Finnish Urban novels
Diana Gonçalves: (Re)Turn to Dystopia: Community Feeling in M. Night Shyamalan’s The Village
Anna Rettberg: Remediating Turning Points for Conviviality and Englishness in Contemporary Black British Literature
Isabel Capeloa Gil: This is (Not) It. Rate, Rattle and Roll in the Struggle for Financial Narratives
III. TURNING POINT NARRATIVES IN LITERARY AND CINEMATIC LIFE-WRITING
Julia Faisst: Turning a Slave Into a Freeman: Frederick Douglass’s Use of Photography and the Invention of African American Fiction
Teresa Ferreira: Reframing Absence: Masquerade as Turning Point in Du Maurier and Hitchcock’s Rebecca
Hanna Mäkelä: Player in the Dark: Mourning over the Loss of the Moral Foundation of Art in Woody Allen’s Match Point
Elisa Antz: Roots, Seduction and Mestiςagem in José Eduardo Agualusa’s My father’s wives
Eleonora Ravizza: A Middle Passage to Modernity. Reflections on David Dabydeen’s Postmodern Slave Narrative A Harlot’s Progress
Linda Karlsson Hammarfelt: Becoming the ‘Other’: Metamorphosis and ‘Turning Points’ in Katja Lange-Müller and Yoko Tawada
IV. CONSTRUCTING TURNING POINTS IN LITERARY HISTORY
Kerstin Lundström: Lay pamphlets in Early Reformation: Turning Points in Religious Discourse
Elisabeth Wåghäll Nivre: The King is Dead. Long Live… the Queen. Turning Points in Panegyric Writing – Queen Christina of Sweden (1626–1689)
Marilia dos Santos Lopes: Writing New Worlds. Eberhard Werner Happel and the Invention of a Genre
Rossana Bonadei: Dickens and The Pickwick Papers. Unstable Signs in a Transmodal Discourse
Heta Pyrhönen: Bridget Jones’s Diary: A Case Study of Austen Fan Fiction
Sabrina Kusche: Generic Trends Between and Beyond Book Covers
V. (DE)CONSTRUCTING TURNING POINTS IN LITERARY THEORY
Bo Pettersson: On the Linguistic Turns in the Humanities and Their Effect on Literary Studies
Angela Locatelli: Turning Points and Mutuality in Literature and Psychoanalysis
Claudia Egerer: The Speaking Animal Speaking the Animal
Sicks, Kai Marcel; Juterczenka, Sünne (Hg.): Figurationen der Heimkehr. Die Passage vom Fremden zum Eigenen in Geschichte und Literatur der Neuzeit. Göttingen: Wallstein, 2011.

Seit Beginn der Neuzeit bilden Darstellungen der Heimkehr in Literatur und anderen Medien verdichtete Reflexionen bereister wie heimischer Kulturen. Die Heimkehr erscheint dabei als eine Schwelle, an der Eigenes und Fremdes ineinander aufgehen und zugleich voneinander geschieden werden; die Heimkehr setzt Eigenes und Fremdes in ein komplexes Beziehungsgeflecht. Beiträge aus den Literatur-, Geschichts- und Medienwissenschaften zeigen im vorliegenden Band, wie diese Komplexität in Heimkehrdarstellungen entfaltet wird. Die Inszenierungen der Heimkehr variieren, je nachdem welcher kulturellen Situation sie entstammen. Die Heimkehr aus dem Krieg wirft andere Probleme der Darstellung auf – und ihre Darstellung bringt andere Reflexionen von Kultur, Gesellschaft und Individuum mit sich – als die Heimkehr aus dem Exil, die Heimkehr von der Entdeckungsreise oder die Heimkehr im Rahmen eines grundsätzlich nomadisch ausgerichteten Künstlertums. Immer aber machen die Heimkehrinszenierungen deutlich, dass „Heimat“ konstruiert, prozesshaft und dialektisch auf die Fremde bezogen ist und im Grunde beim Passieren der Schwelle erst hervorgebracht wird.
Inhalt:
Ansgar Nünning: Vorwort
Kai Marcel Sicks/Sünne Juterczenka: Die Schwelle der Heimkehr. Einleitung
1. Eroberte Fremde. Reisen, Entdecken, Heimkehren
Sünne Juterczenka: Ferdinand Magellan und James Cook – Entdecker ohne Heimkehr. Ein Vergleich
Anke Fischer-Kattner: (K)Ein idealer Entdecker. Erfolge und Scheitern der Heimkehr des Abessinienreisenden James Bruce (1773-1790)
Gesa Mackenthun: "Not all Charts and Chronometers". Territorien der Rückkehr in fiktionalen Entdeckungsreisen
Elisa Antz: Heimat als Heterotopie. Mark Sloukas The Visible World (2007) als Herkunftsreiseroman
2. Entfremdete Heimat. Heimkehr aus dem Krieg
Steffi Bahro: "Du kannst heimgehen." Perspektiven frühneuzeitlicher Kriegsheimkehr im Märchen
Robert Vogt: "All is Fair in Love and War". Heimkehr als Imagination in Ambrose Bierces An Occurrence at Owl Creek Bridge (1890/91)
Svenja Goltermann: Zwischen den Zeiten. Deutsche Soldaten und ihre Rückkehr aus dem Zweiten Weltkrieg
Kai Marcel Sicks: Heimkehr und Heimlichkeit. Der Nachkrieg als Latenzzeit in Anna Seghers' Der Mann und sein Name (1952)
3. Ersehnte Heimkehr. Migration und Exil
Susanne Lachenicht: Religiöse Diasporen in der Frühen Neuzeit. Zwischen Homeland und überstaatlichen Netzwerken
Katharina Bauer: Flucht vor dem Tod. Heimkehr in Aleksej N. Tolstojs Roman Aёlita. Der Untergang des Mars
Katharina Pfeiffer: Heimkehr als Erkenntnis- und Heilungsprozess. Conversazione in Sicilia von Elio Vittorini
Hans-Jürgen Lüsebrink: Trauma und Kreativität der Heimkehr aus dem Exil. Europäisch-außereuropäische Konfigurationen
4. Aufgeschobene Heimkehr. Leben im Transit
Elisabeth Wåghäll Nivre: Reise in die Anti-Heimat im Faustbuch von 1587
Linda Karlsson Hammarfelt: "Am Rande der Welt." Die Unmöglichkeit der Heimkehr in Annemarie Schwarzenbachs Vorderasien-Texten
Vincenzo Martella: Heimkehr in die Zivilisation. Adornos Odysseus-Figuration in der Dialektik der Aufklärung
Philipp Schulte: Der geplatzte Traum vom glatten Raum. Aus- und Rückwanderung in populären Dokutainment-Formaten
Lyytikäinen, Pirjo; Klapuri, Tintti; Maijala, Minna (eds.): Genre and Interpretation. Helsinki: Department of Finnish, Finno-Ugrian and Scandinavian Studies, University of Helsinki & The Finnish Graduate School of Literary Studies, 2010.
Contents:
Brian McHale: Science fiction, or, the Most Typical Genre in World Literature
Ansgar Nünning: Genre Theory Matters: Criteria for Defining and Classifying Genres and a Typology of Historical Novels and other Narrative Genres
Vera Nünning: The Relevance of Generic Frames for Interpretation of Novels
Bo Petterson: On the Interrelation of Genre and Mimesis, Especially in Science Fiction and Realist Fiction
Angela Locatelli: ’I give you my word(s)’: Layered Realism and Images of Life in Literature
Saija Isomaa: Genre Theory after the Linguistic Turn: An Anti-Essentialist, Hermeneutic Approach to Literary Genres
Lieven Ameel: The Road to Helsinki: The Young Provincial and Confrontation with the City In Juhani Aho’s Helsinkiin (1889) and Finnish Literature at the Turn of the Twentieth Century
Tuomas Juntunen: Waiting for Nothing Significant? Tragedy as a Subtext in Juha Seppälä's Novel Yhtiökumppanit
Tintti Klapuri: Naturalistic Worldview in Chekhov's Non-Fiction: Social Adaptation and Intertwining Discourses in Sakhalin Island
Maria Lival-Juusela: From the Margin of Finland’s Swedish Literature toward Identifying the Female Bildungsroman
Hanna Mäkelä: ’Imitators and Observers’: Mimetic and Elegiac Character Relationships in Donna Tartt's The Secret History and Siri Hustvedt's What I Loved
Netta Nakari: Confessing Passion in Annie Ernaux’s Passion simple